Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Matthew Jones on the upshot of a St Kilda Road outrage.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Patrick McCaughey explores a striking Boyd self portrait.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.