Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
