Gideon Haigh discusses portraits of Australian cricketers from the early 20th century
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.
Matthew Jones on the upshot of a St Kilda Road outrage.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Grace Carroll contemplates the curious case of Christian Waller.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Karen Vickery delights in a thespian thread of the Australian yarn.
Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.