Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.
Barbara Blackman reflects on her experiences as a life model.
In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
This issue of Portrait Magazine features the exhibition Masters of Fare, Greg Weight's photographic collection, John Elliott, Barbara Blackman and more.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Katrina Osborne immerses herself in one of photography’s most fearless chronicles.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.