April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.
Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.
Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.
Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Rebecca Ray goes backstage with Bangarra’s Head of Design and photographer Jacob Nash.