Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.
I work with portraiture as a way to explore the nuances and complexities of contemporary selfhood and subjectivity.
Nathalie Latham's exhibition Australia's Creative Diaspora explores Australians, in the arts, who live and work internationally.
The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.
Barbara Blackman reflects on her experiences as a life model.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Phil Manning celebrates a century of Brisbane photographic portraiture.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Matthew Jones on the upshot of a St Kilda Road outrage.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Grace Carroll on the gendered world of the Wentworths.