A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
Tim Storrier describes the influences on the development of his artistic style.
Dr Christopher Chapman, curator and judge of the National Photographic Portrait Prize 2009 contextualises the themes of the exhibition.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Karen Vickery on Chang the Chinese giant in Australia.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.