Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.
Gill Raymond on creating thought-provoking, interactive content to connect to our online community through portraiture.
Gillian Raymond investigates the history of humanoid robots and asks, is this the future of portraiture?
A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.
Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.
Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.