Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Stevie Wright (1947-2015), singer-songwriter, came to Australia from England at the age of nine.
Gregory McBean writes about photographing recent ARIA Hall of Fame inductee, singer Stevie Wright.
In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.
Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.
Peter Jeffrey trips the hound nostalgic.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
The story behind Rick Amor's portrait of Professor Peter Doherty.
The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.