Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Every face is different and every face is fascinating, but I find an elderly one particularly intriguing.
Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.
George Foxhill's self portraits were the subject of a small focus display at the National Portrait Gallery in 2006.
The story behind George Lambert's Self-portrait with Gladioli.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
Tedi Bills talks to George Gittoes about canvassing conflict.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.
Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.
Portrait launch of Major-General Paul Cullen AC CBE DSO and Bar ED (Rtd) and George Judah Cohen.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
