Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.
Nathalie Latham's exhibition Australia's Creative Diaspora explores Australians, in the arts, who live and work internationally.
Guy Maestri’s portrait of the musician was conceived after the artist saw Gurrumul perform in Sydney on New Year’s Eve 2008.
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
Raimond Gaita comments on war and truth in the context of the First World War.
Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.
Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.
Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.