A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Blak Douglas reflects on his experiences, process and motivation for making portraits.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
Tim Storrier describes the influences on the development of his artistic style.
Dr Christopher Chapman, curator and judge of the National Photographic Portrait Prize 2009 contextualises the themes of the exhibition.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.
Magda Keaney talks with Montalbetti+Campbell about their photographic portrait of Australian astronaut Andy Thomas.
The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.