Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Walkley Award-winning photojournalist Andrew Quilty shares an extract from his new book, a powerful visual record of his nine years in Afghanistan.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Martin Sharp fulfils the Pop art idiom of merging art and life.
Sharon Peoples contemplates costumes and the construction of identity.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Ellie Buttrose reveals the web of connection behind Kamilaroi/Bigambul artist Archie Moore’s kith and kin, which won the Golden Lion award at the Venice Biennale 2024.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.