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Canberra, ACT 2600, Australia
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A self-portrait in focus
Magazine article by Kim Appleby, 2002
In her self-portrait, Tracey Moffatt presents herself as her work.
Portrait 46
Spring/Summer 2013
Magazine
This issue features Richard Avedon, Tracey Moffatt, Indigenous portraiture, William Kentridge, roller derby and more.
Portrait 5
September - November 2002
Magazine
This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.
Home truths
Magazine article by Joanna Gilmour, 2013
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
Depth of Field
Magazine article by Lauren Dalla, 2004
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Illuminating history
Magazine article by Joanna Gilmour, 2023
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
101 photographic portraits
Magazine article by Michelle Fracaro, 2004
Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.
You are who?
Magazine article by Joanna Gilmour, 2022
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sophisticated and glamorous
Magazine article by Amanda Rowell, 2015
Michael Riley’s early portraits by Amanda Rowell.
The story of us
Magazine article by Penelope Grist, 2022
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
Heroine knits
Magazine article by Sophia Cai, 2017
‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.
Adam’s Prize Apples
Magazine article by Pamela Gerrish Nunn, 2016
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Moving still
Magazine article by Anne O'Hehir, 2022
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.