The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.
This issue of Portrait Magazine features portraits by Rick Amor, colonial charicatures, Les Murray, Peter Porter, Helen Garner and more.
This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.
Jean-Auguste-Dominique Ingres was one of the greatest portrait painters in history.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
The Kylie exhibition celebrated the significant achievements of one of Australia's most internationally recognisable faces and gave the general public a rare glimpse into her glamorous life.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.