Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
This issue features convict portraitists, Janet Dawson, Paul Grabowsky, Nam Le, the Present Tense exhibition and more.
Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.
Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.