This issue features Claudia Karvan & Jimmy Pozarik, Agus Suwage & Contemporary Portraiture from Asia, Fred Williams, Zhong Chen, John Bell, The French Antipodes and more.
Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.
Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
Angus Trumble treats the gallery’s collection with a dab hand.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.
Jean-Auguste-Dominique Ingres was one of the greatest portrait painters in history.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
The exhibition Masters of Fare: Chefs, Winemaking, Providores celebrates those who have championed the unique culinary characteristics and produce of Australia.
The portrait of Ian Roberts by Ross Watson.
A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.
Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.