Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.
Gillian Raymond investigates the history of humanoid robots and asks, is this the future of portraiture?
Gill Raymond on creating thought-provoking, interactive content to connect to our online community through portraiture.
A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.
Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.
Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.
Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.
A photograph of Claudia Karvan that blends actor, character, photographer and captures the creative collaboration of the television series Love my way.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.