Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Katrina Osborne immerses herself in one of photography’s most fearless chronicles.
Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
Anne O’Hehir chats with artist Kim Leutwyler about courage, community and the ethics of looking.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.