Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
As part of its ongoing program of commissions of portraits of prominent Australians, the National Portrait Gallery has unveiled a portrait of Her Excellency Marjorie Jackson-Nelson by South Australian artist Avril Thomas.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
Andrew Sayers describes the unique characteristics of the international band of portrait galleries.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.