Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
An excerpt from The Popular Pet Book.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Sarah Engledow plays wingman to Leila Jeffreys.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.