The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.
Walkley Award-winning photojournalist Andrew Quilty shares an extract from his new book, a powerful visual record of his nine years in Afghanistan.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
Gideon Haigh discusses portraits of Australian cricketers from the early 20th century
Kwon Hyeeun introduces Korean portraits of Kang Sehwang, and five generations of the Kang family.
Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.
Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.