Michael Riley’s early portraits by Amanda Rowell.
This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.
Portrait photography, by definition, is a collaboration. It is also the grandest of lies masquerading as the ultimate truth.
Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.