© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
Sophisticated and glamorous
Magazine article by Amanda Rowell, 2015
Michael Riley’s early portraits by Amanda Rowell.
Portrait 47
Spring/Summer 2014
Magazine
This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.
Observation Point
Magazine article by Brett Canét-Gibson, 2018
Portrait photography, by definition, is a collaboration. It is also the grandest of lies masquerading as the ultimate truth.
Now and then
Polly Cutmore
Magazine article, 2023
Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.
Of human clay
Magazine article by Michael Desmond, 2009
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
![[Self-portrait], 1996](/files/5/e/2/e/i2030-slq.jpg "[Self-portrait], 1996")
Reveries
Magazine article by Helen Ennis, 2007
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
Illuminating history
Magazine article by Joanna Gilmour, 2023
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
You are who?
Magazine article by Joanna Gilmour, 2022
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Splendid, many-splendoured
Magazine article by Sandra Bruce, 2021
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
The 'I' in Indigenous art
Magazine article by Jane Raffan, 2013
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Home truths
Magazine article by Joanna Gilmour, 2013
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.