Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Christopher Chapman describes the art and life of Australian artist Richard Larter.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
The Kylie exhibition celebrated the significant achievements of one of Australia's most internationally recognisable faces and gave the general public a rare glimpse into her glamorous life.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
An exhibition of humanness in ten themes by Penelope Grist.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
Gillian Raymond investigates the history of humanoid robots and asks, is this the future of portraiture?
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Australian character on the market by Jane Raffan.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.