Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.