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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

An evening at Yarra Cottage, Port Stephens
An evening at Yarra Cottage, Port Stephens
An evening at Yarra Cottage, Port Stephens

An evening at Yarra Cottage, Port Stephens, 1857

Maria Brownrigg
Portrait, watercolour and collage on paper

Purchased 2017

An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

About Face article

At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant

An evening at Yarra Cottage, Port Stephens

Home is where the heart is

Nearest & Dearest

For richer, for poorer

Stephen Murray-Smith
Stephen Murray-Smith
Stephen Murray-Smith

Stephen Murray-Smith, 1980

Fred Williams
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Lyn Williams AM 2011
Donated through the Australian Government's Cultural Gifts Program

Portrait of mother (after Mirka), 2008 by Nat Thomas & Concettina Inserra

Portrait of mother (after Mirka), 2008

by Nat Thomas & Concettina Inserra
Image
Mary Neville, Lady Dacre and Gregory Fiennes, 10th Baron Dacre, 1559 Hans Eworth

Mary Neville, Lady Dacre and Gregory Fiennes, 10th Baron Dacre

Hans Eworth
Image
Walking in tall grass, Viktor, 2005 by Jan Nelson

Transition

More about In the flesh

We fix adolescence as the time of inner turmoil, private worlds and secret refuges, doubt and imagination, protest and liberation. The human mind and body never really leaves this state of transition.

The artist and her family, c. 1854 by Martha Berkeley

Presence and absence

Magazine article by Joanna Gilmour, 2018

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Baz Luhrmann

Glossy 2

Faces, Magazines, Now
Previous exhibition, 2005

Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.

JK Rowling, 2005

Why do painted portraits still matter?

Magazine article by Sandy Nairne, 2006

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008
Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency