The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.
Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
This issue of Portrait Magazine features Jack Brabham, the NPG's exhibition in Denmark, the Aussies all exhibition of photographs by Rennie Ellis and more.
In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.
Australian artist and Archibald Prize winner, Jenny Sages reflects on her work.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.
Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Stella Ramage on Father McHardy’s Bougainville portraiture.