Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.
Angus Trumble pays tribute to John Clarke.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
A reflection on the National Portrait Gallery's first four years.
Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.
Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.
As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.