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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Angelica Mesiti
Angelica Mesiti in profile wearing a white linen shirt in front of a dark leafy hedge
Monica with Brugmansia, 2023 Angelica Mesiti
1 Angelica Mesiti, 2022 Nikki Toole. Photographed in Paris, France. 2 Monica with Brugmansia, 2023 Angelica Mesiti. Made on the land of the Gadigal of the Eora Nation, Sydney Thanks to Wendy Whiteley, Misia Films, Les Films de La Chapelle Courtesy of the artist.

Internationally renowned, Paris-based artist Angelica Mesiti creates video installations that are absorbing and profound experiences for audiences. Her work ASSEMBLY, shown in the Australian Pavilion at the 2019 Venice Biennale, was later acquired by the National Gallery of Australia. Angelica’s work explores collective actions, non-linguistic and non-human forms of communication, perceptions of time and space, and questions the anthropocentric model of the world. Her video work Future Perfect Continuous, exhibited at Anna Schwartz Gallery in Naarm/Melbourne in 2022, pairs a montage of young people using their hands to evoke the sound of rain with images of fossilised rain prints preserved in stone millions of years ago. Angelica has presented solo exhibitions worldwide, including at the Palais de Tokyo Paris, MAXXI Rome and Musée d’Art Contemporain de Montréal.

Monica with Brugmansia, Angelica’s video portrait of Monica Gagliano, honours the research and approach of the Australian-based evolutionary biologist and author of Thus spoke the plant (2018).

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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