Joanna Gilmour is the Curator, Collection & Research at the National Portrait Gallery.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2012 Prize.
Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Celebrate the people, places and sounds of Australian pub rock and its enduring impact on our nation’s identity.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
This exhibition illustrates changes in beards, moustaches and sideburns from the 1780s to the 1980s.
'I have just been to my dressing case to take a peep at you.
Drawn from the NPG’s burgeoning collection of cartes de visite, Carte-o-mania! celebrates the wit, style and substance of the pocket-sized portraits that were taken and collected like crazy in post-goldrush Australia.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.