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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Dr Christopher Chapman

Biography

After almost 12 years, Dr Christopher Chapman departed as Senior Curator in 2019.

Greta In Her Kitchen, 36 weeks, 2018 by Alana Holmberg

National Photographic Portrait Prize 2019

Previous exhibition, 2019

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Michelle Simmons

Three ways to look at a photograph

NPPP 2019 exhibition essay
General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2019 Prize.

Zareth, 2009 by Scott Bycroft

NPPP 2010 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2010 Prize.

David Chalmers

Coming into being

NPPP 2018 exhibition essay
General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2018 Prize.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay
General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Benny (42nd Street Series), 1979–80 by Larry Clark

City boys

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman immerses himself in Larry Clark’s field of vision.

James Ford, 1979 by Robert Mapplethorpe

Apollo's breath

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Bed piece, 1972 by Chris Burden

The boy, the bed and the gun

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman contemplates the provocative performance art of Chris Burden. 

Kid A, 2014 by Joshua Morris

Swimming every day

Magazine article by Dr Christopher Chapman, 2015

National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Satoshi Tokuhiro at Horai Gorge, Takaruzuka, Hyogo from Young Samurai – Bodybuilders of Japan Photography by Tamotsu Yato

Way of the body

Magazine article by Dr Christopher Chapman, 2019

Christopher Chapman reveals the intersection of iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Theodore Twombly by Alice Carroll

A.I.

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman ponders our digital identity and selfhood.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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