Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
That principle of equity of access has ever since been a noble aspiration for all public art museums, as it is for us here at the National Portrait Gallery.
Penelope Grist charts an immersive path through Stuart Spence’s photography.
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.
Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.