Matthew Jones on the upshot of a St Kilda Road outrage.
Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Ellie Buttrose reveals the web of connection behind Kamilaroi/Bigambul artist Archie Moore’s kith and kin, which won the Golden Lion award at the Venice Biennale 2024.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
This issue features The Queen’s Diamond Jubilee portrait, Nicholas Harding, Ingvar Kenne, Laura Moore, Michael Rosen and more.
This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Alistair McGhie talks with Laura Moore about her winning digital self portrait.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.