Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
In April 2006 the National Portrait Gallery showcased Australian portraits at the Fredenksborg Castle in Denmark.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Michael Desmond interviews Ralph Heimans about his portrait of Crown Princess Mary of Denmark.
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Family affections are preserved in a fine selection of intimate portraits.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
This issue of Portrait Magazine features Daddy Cool, HRH Crown Princess Mary of Denmark, the exhibition Glossy 2, Aldo Giurgola, Fiona Wood and more.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.