Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
This issue features convict portraitists, Janet Dawson, Paul Grabowsky, Nam Le, the Present Tense exhibition and more.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Penelope Grist speaks to Bill Henson and Simone Young to discover the origins of the artist’s stunning photographic triptych.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
