Claire Roberts interviews Swiss art collector Uli Sigg.
The portrait of Ian Roberts by Ross Watson.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
Magda Keaney on entwining the work of Francesca Woodman and Julia Margaret Cameron, two photographers working a century apart.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.