Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Featuring striking photographic portraits of contemporary figures from the National Portrait Gallery collection, The Look is an aesthetic treat with a lashing of je ne sais quoi.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2011 Prize.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.