© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
Robert Oatley AO
1928–2016
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The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.
The Bath Butterfly
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The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.
Centenary of ANZAC
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Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.
Banksia and grevillea
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Portraits can render honour to remarkable men and women, but there are other ways.
Tribute: Mary Isabel Murphy
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The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
The Pavlova
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It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.
The medallion
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In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
William Bligh
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The life of William Bligh offers up a handful of the most remarkable episodes in the history of Britain’s eighteenth and early nineteenth-century maritime empire.
Prime Ministers
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On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.
Cocky McGrath
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The long life and few words of a vice-regal cockatoo
200 Years of Portraiture
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To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Back track
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Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.
Portraiture in a Bleak House
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It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Indexing, the art of
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The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.
Talking heads
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In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Of plague and portraits
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Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.