Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
The then Minister for the Arts and Sport, Rod Kemp, reflects on the value of the Cultural Gifts Program.
![[Self-portrait], 1996](/files/5/e/2/e/i2030-slq.jpg "[Self-portrait], 1996")
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.
Penelope Grist explores the photographic instinct of four-time National Photographic Portrait Prize finalist Julian Kingma.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Australian character on the market by Jane Raffan.
