Frames for his life’s love
Rod McNicol on photographing Jack Charles.
When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’
Mia Boe is a Narrm/Melbourne-based artist known for her haunting and evocative painting practice, informed by her Butchulla and Burmese ancestry.
Desire drives forbidden love
Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.
Born: 1965, Sydney
Works: Sydney
An interview with the photographer.
I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.
Archie Moore is a celebrated Kamilaroi and Bigambul artist whose practice is embedded in the politics of identity, racism and language systems. Mīal is a conceptual self portrait that counters expectations of what a self portrait should be.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Curator, Penny Grist, reveals how this exhibition came to be