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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Elizabeth (Murray) 2000

Extremely generous and incredibly close

Magazine article by Michael Desmond, 2010

Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.

The Explorers & Early Colonists of Victoria
The Explorers & Early Colonists of Victoria
The Explorers & Early Colonists of Victoria

The Explorers & Early Colonists of Victoria, 1872

Thomas Foster Chuck
Portrait, composite albumen photograph on paper

Purchased 2018

Bishop James Moore
Bishop James Moore
Bishop James Moore

Bishop James Moore, c. 1888-1889

Thomas Foster Chuck
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2010

Sir Edward Eyre Williams
Sir Edward Eyre Williams
Sir Edward Eyre Williams

Sir Edward Eyre Williams, 1872

Thomas Foster Chuck
Portrait, albumen silver photograph, hand coloured on paper

Gift of Ross and Judy O'Connell 2016

Dr James Moorhouse
Dr James Moorhouse
Dr James Moorhouse

Dr James Moorhouse, 1878-1879

Thomas Foster Chuck and Son
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2010

The Burke and Wills Monument
The Burke and Wills Monument
The Burke and Wills Monument

The Burke and Wills Monument, 1869

Thomas Foster Chuck
Portrait, albumen paper photograph on carte de visite

Collection: National Portrait Gallery
Purchased 2001

Cate Blanchett, 2006 by Martin Schoeller

Martin Schoeller

Close up
Previous exhibition, 2010

German-born American photographer Martin Schoeller's first exhibition in Australia presents compelling large-scale portraits. The exhibition explores human identity through photographs of individuals accustomed and unaccustomed to the spotlight.

Portrait 35

March - May 2010
Magazine

This issue features suspected poisoner and portrait artist Thomas Wainewright, Rick Amor, Chuck Close, Mick Dodson, Scott Redford, the National Photographic Portrait Prize exhibition and more.

Robyn Archer, 2010

Real close

Magazine article by Dr Sarah Engledow, 2012

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

image not online

APS2 Visitor Experience Assistant - Casual

Applications close midnight Monday 18 November 2024
Employment opportunities

The role of Visitor Experience Assistant is part of our Visitor Experience team, which plays a crucial role in creating unforgettable moments, connecting visitors to the collection and acting as a meaning maker for our visitors through interpretations of art. Situated in the Access and Learning section, it is responsible for being the welcoming face that sets the tone for an enriching visit to the Gallery.

Benjamin Horgan and Jake Scourfield, 2021 Elizabeth Looker

Benjamin Horgan and Jake Scourfield

Elizabeth Looker
Image
The Goodall boys, 2021 Tamara Dean

The Goodall boys

Tamara Dean
Image
Tracey, 2018 by Rod McNicol

Tracey, 2018

by Rod McNicol
Image
The Darling

The Darling

Moustaches

Beards were generally been out for British military men in the 1800s: civilians might have worn them as badges of masculinity, but in the army they were perhaps a bit too close to indiscipline for comfort.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency