Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Googie Withers
Googie Withers
Googie Withers

Googie Withers, 1962

Don Bachardy
Portrait, pen and ink, brush and ink on paper

Collection: National Portrait Gallery
Purchased 1999

The Colonel (Portrait of Walter Withers)
The Colonel (Portrait of Walter Withers)
The Colonel (Portrait of Walter Withers)

The Colonel (Portrait of Walter Withers), 1896

David Davies
Portrait, pastel on paper

Purchased 2009

Professor H. Rodney Withers
Professor H. Rodney Withers
Professor H. Rodney Withers

Professor H. Rodney Withers, 2004

Jacqueline Mitelman
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2004

John no. 11, 2010 by Alex Cyreszko

John no. 11, 2010

by Alex Cyreszko
Image
Michael Leunig
Michael Leunig
Michael Leunig

Michael Leunig, 2004

Jacqueline Mitelman
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2005

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Canberra Close Up: Angus Trumble

Desert Island Discs

About Face article

I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

About Face article

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 198485 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency