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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Young Mo (Roy Rene)

'The artist's notebook'
Portrait story

An interview with Australian artist and collector of quirky artefacts, Martin Sharp.

Rene Rivkin, Stockbroker
Rene Rivkin, Stockbroker
Rene Rivkin, Stockbroker

Rene Rivkin, Stockbroker,

Joe Greenberg
Portrait, watercolour, coloured pencil, crayon and gouache on paper

Collection: National Portrait Gallery
Gift of the artist 2001

Young Mo (Roy Rene)
Young Mo (Roy Rene)
Young Mo (Roy Rene)

Young Mo (Roy Rene), 1977

Martin Sharp
Portrait, oil on galvanised iron

Gift of Richard Wherrett 1998. Donated through the Australian Government's Cultural Gifts Program.

Rene Primevere Lesson
Rene Primevere Lesson
Rene Primevere Lesson

Rene Primevere Lesson, c. 1830

Ambroise Tardieu
Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased 2012

Pulangkita pitjangu (When the blanket came), 2019 Rene Kulitja and Rhett Hammerton

Pulangkita pitjangu (When the blanket came), 2019

Rene Kulitja and Rhett Hammerton
Image
Portrait of a Girl Eating, 2006 by Leyla Stevens

Portrait of a Girl Eating, 2006

by Leyla Stevens
Image

The eye and the heart

About Face article

Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.

Face of South Sudan, 2012 by Melanie Faith Dove

Melanie Faith Dove

Finalist interviews

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Francis Bacon on Primrose Hill, 1963

Shadows of light

Magazine article by Mark Haworth-Booth, 2002

Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.

The mahi-mahi, 2019 Rob Palmer

National Photographic Portrait Prize 2020

Previous exhibition, 2020

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

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Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency