Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.
Contemporary Australian Portraits is a cross section, a sampling, of some of the present-day directions in Australian portrait practice
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Australia has become recognised for the range and talent of its musicians, composers, conductors and celebrities in general associated with the music industry
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
As the first National Portrait Gallery travelling exhibition, The reflecting eye: portraits of Australian visual artists represents an important milestone in the history of Australia's National Portrait Gallery.
During his long and distinguished career Max Dupain took thousands of photographs of people
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
The sixth in the National Portrait Gallery’s series of student exhibitions, will feature 200 portrait artworks, both two and three-dimensional, from secondary school students from across Australia
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture