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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Latai Taumoepeau and Justin Shoulder, 2014, printed, augmented 2023 from the series No Human Being Is Illegal (in all our glory) 2014–18 Deborah Kelly

A stitch in time: Participating in portraiture

About Face article

Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.

Trumble's way

About Face article

At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

Portrait of Captain John Hunter

Goods and chattels

About Face article

I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

Grateful admiration and brotherly love

About Face article

In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.

Cooey: an Australian song

Cooey! An Australian Song

About Face article

"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.

Mural of Italian/Roman actress Anna Magnani (1908­–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

About Face article

Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency