It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in.
Rozalind Drummond’s photographs in the exhibition Tough and tender let us bring our imagination to the act of looking.
Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.
I didn’t ever meet the American artist Chris Burden but about 20 years ago I wrote to him. I was after the loan of some photographic prints of his most famous performance: he had arranged for a friend to fire a bullet so it would graze his arm.
This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals.
Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.
Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.