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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

William Hardy Wilson at Purulia, Warrawee

1921 (printed by Max Dupain 1981)
Harold Cazneaux and Max Dupain OBE (printer)

gelatin silver photograph on paper (support: 50.7 cm x 43 cm, sheet: 41.5 x 35.2, image: 41.5 x 35.2)

William Hardy Wilson (1881–1955) – or Hardy Wilson, as he styled himself – was an architect, artist and advocate for heritage protection. Born and educated in Sydney, Wilson was articled to the architectural firm Kent & Budden in 1899 and studied at Sydney Technical College, qualifying in 1904. While a student, Wilson also took art lessons and exhibited with the Royal Art Society of NSW. After several years in England, he returned home aiming to develop a greater appreciation of historic Australian architecture, and began making the elegant drawings of colonial buildings by which he is now popularly known. Wilson’s architectural work was also inspired by his fascination with earlier and international styles – his two best known houses, Eryldene at Gordon, and his own home, Purulia, were both influenced by colonial bungalows and became prototypes for many houses in Sydney’s north shore suburbs. A regular contributor to Art in Australia and The Home, Wilson’s output included some 17 books and ranged across Greek and Chinese architecture, orientalism, creativity and mysticism. Between 1935 and his death twenty years later, Wilson donated many of his drawings to the National Library of Australia; its collection, in consequence, now includes around 400 examples of his work.

Gift of the Simpson Family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Harold Cazneaux (age 43 in 1921)

Max Dupain OBE (age 10 in 1921)

William Hardy Wilson (age 40 in 1921)

Subject professions

Architecture, design and fashion

Donated by

Emily Simpson (6 portraits)

Louise Dobson (6 portraits)

Alice Simpson (6 portraits)

Edward Simpson (6 portraits)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency