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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The activist A-list

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

More information on The activist A-list

Selected images

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Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground, 2001 eX de Medici. © eX de Medici
Jack Mundey
Jack Mundey, 1997 Lewis Morley. © Lewis Morley Archive LLC
Gloves off (Tom Uren)
Gloves off (Tom Uren), 1996 Ralph Heimans AM. © Ralph Heimans
The family
The family, c. 1955 Charles Blackman OBE. © Charles Blackman/Copyright Agency, 2024
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Related information

Gloves off (Tom Uren)
Gloves off (Tom Uren)
Gloves off (Tom Uren)
Gloves off (Tom Uren)

Tribute

Tom Uren AC

Magazine article, 2015

Edward Tom Uren AC (1921-2015), former Deputy Leader of the Australian Labor Party, was a major campaigner on environmental and urban-planning issues and rights for veterans.
Patrick White at Centennial Park, 1979–1980
Patrick White at Centennial Park, 1979–1980
Patrick White at Centennial Park, 1979–1980
Patrick White at Centennial Park, 1979–1980

Listomania

Magazine article by Dr Sarah Engledow, 2013

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
The family
The family
The family
The family

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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