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Today we will LOOK at the portrait of Peter Sculthorpe by Eric Smith; THINK about narrative and storytelling; WATCH a video interview with Peter Sculthorpe; READ an article by Eric Smith; DO a couple of activities and finish with a quiz.
In music ‘composition’ refers to the arrangement of notes on a score, while in portraiture it refers to the considered arrangement of visual elements. A composition can be formal, adhering to rules of single point perspective, or looser and more expressive, allowing artists to create mood or explore the psychology of their sitters. In this portrait of musical composer Peter Sculthorpe, artist Eric Smith arranged the canvas into two halves, with the more representational elements on the left progressing towards a more abstract arrangement of shapes on the right. In combination with the use of thick impasto paint and bold primary colours, the composition creates a dynamic scene, alluding to music emanating from the piano and the creative process of writing music.
Artist Eric Smith was born in Melbourne and worked as a graphic designer before serving in the Second World War. Afterwards, he studied painting at RMIT and began to exhibit regularly. In 1952 he moved to Sydney, where he emerged as a key exponent of abstraction. He was later a member of the group called the Sydney Nine, whose 1961 exhibitions asserted the rigour of abstract art in the context of debates about its integrity. Smith won the Archibald Prize for a third time with this portrait of his friend Peter Sculthorpe (1929–2014), the Tasmanian-born, internationally renowned composer. Inspired by Sculthorpe's music, Smith conceived of an expressive portrait to evoke the composer's creative process and started work on the painting less than three weeks before entries closed. A day before the deadline, he made drastic changes to the work, covering everything other than Sculthorpe's figure in thick orange paint. Squares of white were 'slashed' across the canvas, creating 'sheets of music exploding into the space'. Sculthorpe had the portrait on loan for a long time before the National Portrait Gallery purchased it from Smith in 2004. 'Most portraits by other artists tended to be rather dark and expressionistic,' Sculthorpe said in 2008, 'whereas Eric's painting brings in the sun … It captures my heart, my soul, my spirit, my music, everything.'
For Peter Sculthorpe, this portrait is ‘a real painting of me. It captures my heart, my soul, my spirit, my music, everything.’ Watch the Portrait Story.
An interview with Peter Sculthorpe . Video length: 2 minutes
I do not like painting commissioned portraits – painting accurately what you see in front of you of people you know a little about, doesn't interest me.
Composition has multiple meanings in the case of Eric Smith’s portrait of Peter Sculthorpe. Explore visual composition by creating your own collage.
You will need: 1 sheet of blank paper; paint or pencils; scissors; old magazines or newspapers you are happy to cut up; scrap coloured paper; glue or tape.
Begin by preparing your visual elements – cut out pictures from old magazines, as well as shapes from scrap paper. Packaging could also be cut up to create blocks of colour, or you can make your own by colouring in shapes.
With your paper in horizontal orientation, position your visual elements across the page. Move them around, removing or adding as required, until you are happy with the composition.
Before sticking them down, create a background using any drawing or paint materials you choose.
Stick your elements in place to complete the composition.
Step back and view the work from a distance so you can admire the full composition, then slowly walk back towards it.
Connected activity
Let’s step up the compositional challenge, with a competition that requires you to compose 3D elements.
You will need: a mixture of different shaped items from your pantry (sauce bottles, jars, spice mills, etc.); a clear space; smartphone (or some means of taking a picture and sharing it). You can either connect by phone or video call.
Call a friend and set them a compositional challenge.
Each of you find a group portrait (eg. – sports team, band, family, etc.) and share the picture with the other.
Give each other five minutes to gather pantry items so that you are ready to start at the same time. (Note: it might be useful to seek out an eclectic assortment of shapes and sizes in these items!)
Agree on a time limit. On calling ‘go’, each person has to recreate the portrait the other selected as best they can, using the items they have in front of them.
Once complete, take a picture of your scene and send it to your friend. Admire each other’s work, and, if the competitive juices start flowing, come to a diplomatic agreement on whose was the best representation!
Share the fun! Remember to tag us @PortraitAu and use the hashtags #TheAmazingFace #PortraitureComesHome
