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Today we will LOOK at the portrait of Nick Cave by Howard Arkley; THINK about the artist-sitter relationship; WATCH a video interview with artist Marc de Jong; READ about portrait commissions; DO a couple of activities and finish with a quiz.
The relationship between artist and sitter is at the heart of portraiture. One of the National Portrait Gallery’s first commissions, Howard Arkley’s painting of Nick Cave exemplifies the way in which a daring or unexpected pairing of artist and sitter can yield potent results. Arkley was known for his distinct, vivid depictions of otherwise prosaic suburban homes and interiors. His portrait of Cave was one of the last pieces of work the artist completed before his death, at the peak of his career. Today we explore how Arkley employed the neon colours and contours of his instantly recognisable style in the creation of a similarly unique vision of musician Nick Cave. (Spelunking is exploring caves.)
Artist Howard Arkley and musician and writer Nick Cave AO (b. 1957) moved in the same creative circles in Melbourne in the 1970s. Cave formed his first band, eventually named The Boys Next Door, when he was a student. After leaving school the band became embedded in Melbourne’s post-punk and alternative music scenes, renaming themselves The Birthday Party when they relocated to London. Based on photos, posters and clippings, this portrait was made in Arkley’s Melbourne studio in 1999, when Cave was the frontman for Nick Cave and The Bad Seeds. The result is a portrait that evokes the material culture of the underground music scene, as well as the emotional intensity of Cave’s writing and music. Its pulsating colour coveys the noise and lurid stage lighting of the venues where Cave made his start. It is an unmistakeable example of Arkley’s work and a distillation of the many stylistic and technical threads that run through it – from the abstract compositions of his early career to the airbrush paintings of suburban homes and interiors for which he is best known.
Howard Arkley taught artist Marc de Jong at Prahran TAFE in Melbourne. In describing the portrait of Nick Cave, de Jong says, ‘there’s a lot of attitude in that painting and that attitude comes from both the sitter and the painter.’
Interview with Marc de Jong . Video length: 2 minutes
Read
The National Portrait Gallery is a unique type of public gallery. One of its distinguishing features is the way the Gallery builds the collection through a process of commissioning portraits. Generally, public galleries see it as their role to reflect the art of the times, not to shape it. Yet there are good reasons why a portrait gallery involves itself in the commissioning of new work.
Notice the lines in the portrait. Let your eyes follow the curving lines. Notice how the lines create shapes, defining forms and shadows.
Without looking down at your piece of paper, draw the portrait. Use one continuous line, and keep your eyes on your screen until you finish.
Look down to see your ‘blind contour drawing’ of Nick Cave!
Connected activity
Share your new skills with a friend.
You will need paper, a pen or pencil, and coloured pens, textas or paints.
Call a friend via video chat and explain blind contour drawing to them.
While you have each other’s faces on the screen, each do a blind contour drawing of the other – give yourselves an agreed time limit.
Inspired by Arkley, each take 10 minutes to colour in the shapes that you have drawn and then share your portraits with each other. Have a go at drawing one another using this technique.
Share the fun! Remember to tag us @PortraitAu and use the hashtags #TheAmazingFace #PortraitureComesHome
